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Britten"s Musical Language (Music in the Twentieth Century) by Philip Rupprecht

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Published by Cambridge University Press .
Written in English

Subjects:

  • 20th century music,
  • Composers & musicians,
  • Theory of music & musicology,
  • Music/Songbooks,
  • History & Criticism - By Composer,
  • Music,
  • General,
  • Individual Composer & Musician,
  • Britten, Benjamin,--1913-1976--Criticism and interpretation,
  • Music / History & Criticism,
  • Criticism and interpretation,
  • History & Criticism - General,
  • 1913-1976,
  • Britten, Benjamin,

Book details:

The Physical Object
FormatHardcover
Number of Pages368
ID Numbers
Open LibraryOL7749416M
ISBN 100521631548
ISBN 109780521631549

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Edward Benjamin Britten, Baron Britten OM CH (22 November – 4 December ) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. Books & Gifts. Accessories & Instruments Biographies & Reference Books Merchandise This was a time when the music press was increasingly focusing on the European experimental avant-garde, and composers who extended tonal traditions, such as Britten and Shostakovich, were becoming difficult to place in terms of perceived ‘relevancy. Britten’s Musical Language. In Sundry Sorts of Music Books: Essays on the British Library Music Collections, Presented to O. W. Neighbour on His Seventieth Birthday, ed. Chris Banks, Arthur Searle, and Malcolm Turner, – London: British Library, Wiener, Martin. Brittens Music Colourstrings Kindergarten aims to surround children with a positive, friendly and stimulating environment where they will have a multi-sensory and active musical experience through singing, listening, performing and accompanying with percussion instruments.

Op. 77, The Burning Fiery Furnace, church parable (libretto by William Plomer, after the Book of Daniel), Op. 78, The Golden Vanity for boys' voices and piano (words by Colin Graham), Op. 79, The Building of the House overture, for chorus or organ or brass and orchestra, Expanding the notion of translation, this book specifically focuses on the transferences between music and text. The concept of 'translation' is often limited solely to language transfer. It is, however, a process occurring within and around most forms of artistic expression. Music, considered a language in its own right, often refers to text discourse and other art forms. Read this book on Questia. Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism,Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song.   In January I began composing the music, and the score was completed in February Alan Oke as Peter Grimes, in Aldeburgh Music's Grimes on .